{"id":148,"date":"2015-03-02T09:10:33","date_gmt":"2015-03-02T09:10:33","guid":{"rendered":"https:\/\/www.cine2dvdtransfers.co.uk\/blog\/?p=148"},"modified":"2015-06-24T13:54:31","modified_gmt":"2015-06-24T13:54:31","slug":"cut-how-to-edit-home-movies","status":"publish","type":"post","link":"https:\/\/www.cine2dvdtransfers.co.uk\/blog\/2015\/03\/02\/cut-how-to-edit-home-movies\/","title":{"rendered":"Cut!: How to Edit Home Movies"},"content":{"rendered":"<p>Last time on our blog, we were discussing how to ensure your <a href=\"https:\/\/www.cine2dvdtransfers.co.uk\/blog\/2015\/02\/24\/how-to-make-your-home-movies-look-more-professional\/\" target=\"_blank\">home movies have a professional polish<\/a>. In that, we discussed the importance of varying your shots. The general rule is to open with an <strong>establishing shot<\/strong> \u2013 that\u2019s the shot that lets your audience know where the action\u2019s taking place. You\u2019ll notice it in movies and TV shows all the time, usually as we cut to an exterior shot of, say, Frasier\u2019s apartment or Gotham City.<\/p>\n<p>Then there\u2019s the <strong>long shot<\/strong>, which allows you to capture a group or location in one frame. The <strong>medium shot<\/strong> allows a slightly closer look at a subject. If the birthday girl or boy is showing off the new football kit they\u2019ve been given, you\u2019d want a medium shot. It gives your viewers both facial expressions and body language. A <strong>close-up<\/strong> puts focus on, say, a subject\u2019s face, or the birthday cake, and nothing else.<\/p>\n<p>So how do you put all of those together to tell a story?<\/p>\n<p>Even before you start shooting your home movie, you\u2019ve got to have one eye on the editing process. Part of this comes with what you film \u2013 capturing literally every single moment of little Sarah\u2019s West Ham-themed birthday party isn\u2019t going to hook your audience, which means a little in-camera editing. So, for that birthday party, you\u2019d shoot the action (blowing out the candles, say), stop recording, shoot a close-up of the birthday girl, pause, shoot the reactions of the party-goers.<\/p>\n<p>But that\u2019s just the beginning. So let\u2019s take a look at a few tips and tricks for editing your home movies, and giving your audience something to <em>really <\/em>look at.<\/p>\n<p><span style=\"text-decoration: underline;\">Don\u2019t Go Cut-Crazy<\/span><\/p>\n<p>A major danger, especially for first-time editors, is to cut-cut-cut, edit-edit-edit. If you\u2019re editing together some wacky drug-like scene, that\u2019s fine. But it\u2019s no good for your cousin\u2019s wedding. It will produce a dizzying and incoherent mess of a home movie. And it&#8217;s just plain tiring.<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/wlPOVC2SSbc\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><span style=\"text-decoration: underline;\">Don\u2019t Hang on a Long Shot<\/span><\/p>\n<p>There\u2019s nothing more boring for viewers than a single long shot. That\u2019s because we\u2019re visual creatures, so we want to be visually stimulated. Another problem with long shots is that they can have too much going on \u2013 giving the viewer little clue as to what\u2019s supposed to be the focus. Vary your shots, with an emphasis on medium and close-ups. Let\u2019s see those reactions properly!<\/p>\n<p><span style=\"text-decoration: underline;\">Cut on Actions and Words<\/span><\/p>\n<p>You may not have noticed, but this is a classic editor\u2019s trick. Say your subject waves \u2013 rather than capturing it in one shot, cut mid-wave and follow it through in another shot. This is obviously easier if you have two or more cameras recording, but with a little creativity, it\u2019s not impossible to pull off on a single-camera set-up.<\/p>\n<p><span style=\"text-decoration: underline;\">Capture Cutaways<\/span><\/p>\n<p>You know when you\u2019re watching an interview with, say, Roger Moore, and we cut to the interviewer nodding? Well, chances are, that nod was filmed at a different time. Grabbing cutaway shots are essential to mask an edit without resorting to a jump cut. It also adds to the movie\u2019s atmosphere. So film anything that might be useful for a cutaway, like party bags and reactions of guests.<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/0Hqa34dZp-E\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><span style=\"text-decoration: underline;\">Keep It Continuous<\/span><\/p>\n<p>Continuity is vital in any type of film. If there\u2019s a really incongruous continuity error, your audience will stop focussing on the film and start worrying about why Grandad Bobby\u2019s hat keeps disappearing and reappearing on his head with every shot change. Remember things like positions of subjects and the type of lighting and when it comes to editing.<\/p>\n<p><span style=\"text-decoration: underline;\">Walking Equals Wipe<\/span><\/p>\n<p>There\u2019s a scene in <em>Jaws <\/em>where Brody\u2019s watching the beach for the shark. As people walk past the camera, Spielberg cuts to ever-closer shots of the police chief. And you can do the same. You\u2019re not on a film set, so whether it\u2019s a wedding or birthday, people are likely to be walking past the camera. Use that to your advantage and cut to a new shot.<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/tXsvIt_GI78\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><span style=\"text-decoration: underline;\">Be Creative<\/span><\/p>\n<p>The beauty of editing is, even if Auntie Marjory arrived at the event after Uncle Roy, you can change all of that \u2013 especially if it makes for better story-telling. So long as you keep a master copy of all the footage, you can play around with the back-ups and see what works best for your vision without fear.<\/p>\n<p><span style=\"text-decoration: underline;\">You\u2019re Not There<\/span><\/p>\n<p>Remember how, in our last blog, we discussed how the movie-maker should capture the action, rather than inserting themselves into it? Well, the same is true of editing. It should be seamless and invisible. Don\u2019t draw attention to your editing, because it takes focus away from what\u2019s really important \u2013 the subjects of the film.<\/p>\n<p><span style=\"text-decoration: underline;\">Do It Digitally<\/span><\/p>\n<p>It is possible to edit old-school style, from VCR to VCR. But if you\u2019re looking to give your home movie a real sheen, you\u2019ll want to look at digital editing software. Of course, that might mean you\u2019ll have to <a href=\"https:\/\/www.cine2dvdtransfers.co.uk\/\" target=\"_blank\">transfer Super8 to DVD<\/a> to get it onto your computer, but we can help you out with that. You\u2019ll have a lot more control over your film doing it this way.<\/p>\n<p>So, ready to stitch together your masterpiece? Simply <a href=\"https:\/\/www.cine2dvdtransfers.co.uk\/contact.php\" target=\"_blank\">contact us<\/a> on 0800 592 433 and we\u2019ll be delighted to assist with your film format conversions to create memories worth watching.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Last time on our blog, we were discussing how to ensure your home movies have a professional polish. In that, we discussed the importance of varying your shots. The general rule is to open with an establishing shot \u2013 that\u2019s the shot that lets your audience know where the action\u2019s taking place. You\u2019ll notice it [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[3],"tags":[],"_links":{"self":[{"href":"https:\/\/www.cine2dvdtransfers.co.uk\/blog\/wp-json\/wp\/v2\/posts\/148"}],"collection":[{"href":"https:\/\/www.cine2dvdtransfers.co.uk\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.cine2dvdtransfers.co.uk\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.cine2dvdtransfers.co.uk\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.cine2dvdtransfers.co.uk\/blog\/wp-json\/wp\/v2\/comments?post=148"}],"version-history":[{"count":2,"href":"https:\/\/www.cine2dvdtransfers.co.uk\/blog\/wp-json\/wp\/v2\/posts\/148\/revisions"}],"predecessor-version":[{"id":242,"href":"https:\/\/www.cine2dvdtransfers.co.uk\/blog\/wp-json\/wp\/v2\/posts\/148\/revisions\/242"}],"wp:attachment":[{"href":"https:\/\/www.cine2dvdtransfers.co.uk\/blog\/wp-json\/wp\/v2\/media?parent=148"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.cine2dvdtransfers.co.uk\/blog\/wp-json\/wp\/v2\/categories?post=148"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.cine2dvdtransfers.co.uk\/blog\/wp-json\/wp\/v2\/tags?post=148"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}